Summary
In an eagerly anticipated gathering, the esteemed commission for the International Feature Film category of the Oscars has unveiled its impressive lineup of four contenders, presented in alphabetical order. Embracing cinematic artistry, the films include “All We Imagine as Light” from the creative minds of Alexandre de La Patellière and Matthieu Delaporte, with the backing of Chapter 2 and Pathé Films; the compelling “Le Comte de Monte Cristo,” a gripping adaptation helmed by Jacques Audiard, brought to life through Why Not Productions and Page 114; the thought-provoking “Emilia Pérez” crafted by Alain Guiraudie under the CG Cinéma banner; and lastly, the evocative film by Payal Kapadia, also produced by Petit Chaos, captivating viewers with its storytelling prowess. On September 18, 2024, the commission will reconvene to hear from producers, international sellers, and, where applicable, the American distributors for each of these pre-selected films. This pivotal session will culminate in the selection of the film that will represent France in the illustrious race for the 2025 Oscar for Best International Feature. In a significant transformation this year, the CNC has made prominent adjustments to the selection committee, expanding its membership from seven to an impressive eleven, crowned by a president. Notably, the CNC president will no longer participate in sessions as an observer. Instead, only the president of Unifrance—an organization dedicated to promoting the winning film internationally and guiding it through the treacherous waters of awards campaigning—will attend these meetings, contributing as a non-voting observer. These strategic changes aim to fortify the committee’s autonomy, shielding it from public authority influences and professional interests, while meticulously preserving the integrity of the deliberations and the secrecy surrounding its voting processes. Thus, the stage is set for a spirited yet discreet journey toward the Oscars—a journey where artistry and freedom intertwine in the grand tapestry of cinema.
Original Source: www.cnc.fr
