In his new book, “Art in a State of Siege,” Joseph Leo Koerner presents an exploration of how art transforms into a vital form of expression amid collective crises, using Berlin as a focal point. Through poignant images created in perilous moments, Koerner delves into the connections between art, survival, and political turmoil, asking: What do artworks communicate when society is on the brink?
Koerner examines several artworks, including Hieronymus Bosch’s enigmatic “Garden of Delights,” which portrays a world filled with threats, from invaders to domestic enemies. He traces the convoluted history of this painting up to the upheaval of World War II, linking it to Max Beckmann’s powerful self-portrait from 1927. This creation emerged during Germany’s emergency governance, asserting a visionary stance on Europe’s fate until the Nazis branded it a danger to their regime.
The narrative extends through the lens of South African artist William Kentridge, who regards Beckmann’s work as emblematic of “art in a state of siege,” revealing its role as a symbol of defiance during apartheid. Koerner illustrates how the layered process of Kentridge’s animations echoes the act of creation under oppression. Encompassing over five centuries, this art historical saga resonates powerfully with current global challenges, solidifying its relevance today.
Joseph Leo Koerner serves as the Victor S. Thomas Professor at Harvard University, where he explores the intersections of art and society. An acclaimed author and filmmaker, he has previously addressed complex themes in his works, shaping our understanding of cultures in struggle.
Joseph Koerner’s new book, “Art in a State of Siege,” explores how art reflects and responds to collective crises through historical and contemporary examples. He examines works by Bosch and Beckmann, alongside insights from South African artist William Kentridge, to articulate the role of art as a form of defiance against tyranny and turmoil.
Koerner’s “Art in a State of Siege” is a profound investigation into the relationship between art and crisis, spanning historical contexts from Bosch to contemporary issues. By focusing on the transformative power of art in times of upheaval, he reveals how creators respond to and navigate the depths of human despair. Through rich narratives, Koerner reminds us that in the face of adversity, art can emerge as a beacon of resistance and hope.
Original Source: press.princeton.edu
