For centuries, the Ramayana has served as a timeless thread interweaving the cultural tapestries of Southeast Asian nations and India. Rich parallels can be observed in their literature, architecture, and religious texts, echoing ancestral connections. This epic, emblematic of unity, shines light on these historical ties by influencing various art forms across the region.
In a celebration of this cultural heritage, the ASEAN-India Artists’ Camp gathers from March 29 to April 7 in Shillong, themed ‘Echoes of Ramayana: Artistic Journeys across ASEAN and India.’ Twenty-one celebrated artists from ten ASEAN member states, along with ten from India, will craft their artistic interpretations of the Ramayana through illuminating paintings that vibrate with cultural significance.
Organised by the Ministry of External Affairs and SEHER, this camp also commemorates a decade of India’s Act East Policy. “The Ramayana transcends mere religious significance; it is a cultural narrative. We wish to explore its vibrant echoes in the ASEAN region,” expressed Sanjeev Bhargava, founder-director of SEHER.
Throughout the camp, talented artists will explore varied painting styles, including modern, traditional, and impressionistic under the guidance of seasoned mentors. Each artist is expected to weave their cultural identity into their creations, offering unique perspectives on the epic that has transcended borders.
Cheriyal artist Vinay Kumar views this camp as a vital platform to share his appreciation for the Ramayana. Thai professor Panich Phupratana, who perceives Hanuman’s portrayal as both multifaceted and unified across cultures, remarks, “I decided to compare these two versions to show that Thai beliefs and religion share the same origins as those in India.”
For Malaysian artist Moahana Kumara Velu, the Ramayana grew from the shadows of her childhood through Wayang Kulit. “Sita’s strength and grace resonate deeply with me. I see this as a meaningful chance to explore its emotional layers,” she stated, looking forward to her debut artwork inspired by the epic.
The artists will partake in enriching workshops centred on classical dance, music, and handicrafts, sharing their crafts and cultural insights with local students in Shillong. This interactive exchange fosters a fertile environment for creativity to flourish across cultural divides.
Prominent Indian artists participating include Mrudula Kunatharaju, Mousumi Biswas, Japani Shyam Dhurwey, and others, each contributing to the collaborative spirit of the camp, which first emerged in 2017. This initiative diverges from traditional diplomatic exchanges, fostering a unique setting for artists to forge connections through shared experiences and artistic dialogue.
Post camp, the artworks will debut in New Delhi before touring Malaysia, the ASEAN Chair for 2025. “Art is a powerful bridge – it opens space for dialogue, connection, and shared understanding. These friendships strengthen ties, making cultural exchange a potent form of diplomacy,” concludes Moahana Kumara Velu, marking the significance of this gathering.
The Ramayana has long been a connective cultural thread among Southeast Asian nations and India, reflecting shared histories in literature and art. The ASEAN-India Artists’ Camp celebrates this bond from March 29 to April 7 in Shillong, where artists from various countries will creatively interpret the epic’s themes. This initiative highlights art’s potential to strengthen cultural ties and diplomatic relations within the region.
The artists’ camp serves as a vibrant testament to the Ramayana’s enduring influence across Southeast Asia and India. Through artistic expression, participants foster cultural exchange, enabling a deeper understanding of shared heritage. This convergence of talents not only bridges cultural gaps but also highlights the transformative power of art in nurturing diplomatic relationships.
Original Source: www.thehindu.com
