For seven years, Georgian photographer George Nebieridze has been capturing the vibrant chaos of Berlin’s feminist noise-punk scene, a journey that began in 2017 when he crossed paths with musician Karolina Bartczak, who later formed the hardcore band URIN. By volunteering at gigs, he established close ties within the community, leading to the creation of his zine, Powertool, showcasing this unique musical landscape and its eclectic bands like Cuntroaches and Phallucipher.
Nebieridze describes the scene’s distinctiveness, highlighting its experimental nature and dedication to equality across genders and sexual orientations. This environment nurtures creativity, unlike the more rigid punk scenes he experienced in Warsaw, prompting Bartczak to relocate to Berlin where she found a space conducive to artistic pursuits, supported by part-time employment.
Nebieridze reflects on his shift from Berlin’s renowned techno scene. While he appreciates techno, he feels it lacks the authenticity and political awareness that define the feminist noise-punk movement, which engages deeply with societal issues. The underground scene’s commitment to activism resonates with him, breathing life into the spirit of protest that techno originally embodied.
The conversation steers to the current political climate in Germany, with both Nebieridze and Bartczak expressing their profound discontent towards the rise of the far right. They are resolute in their stance against injustices, stating their intention to amplify their voices through protests and performances, countering what they perceive as an oppressive state. Bartczak feels increasingly alienated by the lack of solidarity around wider human rights issues confronting activists.
In closing, Nebieridze emphasises the essence of compassion and connection within the scene. His project aims to illustrate the depth of acceptance and care integral to this community, rather than simply portraying an image of coolness. Among the vivid faces of this diverse scene are stories woven with acceptance and the raw spirit of resistance. You can explore more of Nebieridze’s captivating photography on his Instagram @nebieridze.de.
Georgian photographer George Nebieridze has spent seven years documenting Berlin’s feminist noise-punk scene, which embraces experimental music and champions equality. His zine Powertool showcases this vibrant culture juxtaposed against the backdrop of rising far-right sentiments in Germany. Nebieridze expresses a sense of authenticity, compassion, and political engagement lacking in techno, while both he and musician Karolina Bartczak discuss their motivations and critiques of the current political climate. The essence of community and connection permeates their artistic expression.
In summary, George Nebieridze’s journey into Berlin’s feminist noise-punk scene unveils a dynamic landscape, rich with experimentation and socio-political activism. Anchored by a dedicated community, this scene stands in stark contrast to the more commercial techno culture. Nebieridze and Bartczak’s commitment to countering the far right reveals a passion for justice and solidarity, encapsulating a spirit of rebellion in their artistic pursuits. The zine Powertool serves as a testament to the intertwining of creativity and compassion inherent within this unique musical environment.
Original Source: www.vice.com
