Nabahat Lotia’s “Pottery Traditions of Pakistan” explores the rich heritage of the country’s pottery, covering techniques and traditions across various provinces. With 27 chapters, it presents a tactile journey from Lahore’s culinary arts to Sindh’s glazed crafts, celebrating the dignity of clay. Lotia’s work serves as a valuable resource, merging history and artistry, while highlighting the significance of pottery in Pakistani culture.
Nabahat Lotia’s new book, “Pottery Traditions of Pakistan,” takes readers on an enchanting journey through the intricate world of Pakistani pottery, capturing the essence of this ancient craft. Drawing from her dedicated experience as a potter in Karachi, and her roots in Lahore and Delhi, Lotia creates a mosaic of pottery traditions that span the nation’s diverse provinces. Each of the 27 chapters unveils unique regional identities, illustrative techniques, and the deep cultural significance entwined within the art of pottery, rendered beautifully through vivid visuals and evocative storytelling. The book begins with a foreword by Rumana Husain, setting the stage for a profound exploration of clay’s dignity, which Lotia poignantly expresses, “The dignity of clay transcends gold and silver.” This sentiment resonates throughout the narrative, illuminating how pottery embodies not just functional beauty but also historical and cultural richness. From the bustling streets of Lahore to the vibrant landscapes of Sindh, each chapter immerses readers in the tactile world of clay, tracing the delicate transformation of raw earth into treasured vessels that narrate stories of heritage and identity. As Lotia unravels the artistry behind cooking pots and tandoors, she reveals the meticulous techniques of kneading, shaping, and firing—a labor of love palpable in every crafted piece. Readers are treated to a sensory experience as she describes how these creations tell tales of cuisine, community, and tradition, connecting past to present. Special chapters delve into Lahore’s culinary pottery, showcasing how these vessels are integral to the local culinary heritage. The historical aspects of Lotia’s work are equally captivating, offering insights into the evolution of pottery styles and practices. Particularly engaging is her coverage of “kuza gari,” where she breathes life into the legacy of pitcher crafting — embodying the harmony of utility and art. Techniques such as slip casting emerge as delicate dances of artistry, accessible to both novices and seasoned artisans. Moving across regions, her focus shifts as she highlights Sindh’s decorative glazed crafts and the traditional practices of tile-making in “kasha kari,” paying homage to the architectural beauty woven into the province’s landscape. Balochistan and Khyber Pakhtunkhwa unveil their extraordinary pottery practices, where Lotia meticulously details the crafting of roof tiles and tall vessels. Each description is rich with cultural respect, celebrating the artisans dedicated to preserving these traditions. “Pottery Traditions of Pakistan” is not simply a book about clay; it is a rich tapestry recounting the stories of resilience and artistry intrinsic to Pakistani culture. With stunning visuals and insightful narratives, Lotia brilliantly captures the essence of pottery as a vital link in Pakistan’s cultural identity. This book serves as an invaluable resource for everyone, from avid pottery enthusiasts to curious minds captivated by the diverse tapestry of cultural heritage. Lotia’s remarkable work stands as both a cultural artifact and a practical guide, inviting readers to celebrate the artistry and dignity found within the world of clay. Her achievement is a dignified encomium to Pakistan’s pottery legacy, making it a must-have for anyone wishing to connect with the soul of this ancient craft.
Pottery holds a special place in the cultural heritage of Pakistan, reflecting the country’s diverse artistic traditions and regional identities. From the ancient practice of shaping clay to the modern interpretations found in contemporary art, pottery is not just a means of creating useful vessels; it is a narrative medium that communicates history, identity, and community. Nabahat Lotia’s book, through its comprehensive approach, seeks to preserve and celebrate these voices from the earth, connecting readers to the intricate stories behind every piece crafted across the regions of Pakistan.
In conclusion, Nabahat Lotia’s “Pottery Traditions of Pakistan” is a rich exploration of Pakistan’s pottery heritage, capturing the intricate relationship between clay, culture, and identity. Through detailed narratives and vibrant visuals, the book illuminates the art of pottery as a profound expression of resilience and beauty. It serves as a vibrant resource for artisans and enthusiasts alike, deserving recognition for celebrating and preserving the cultural legacy of Pakistani pottery.
Original Source: www.thenews.com.pk
