Bill Kelliher Discusses The Economic Struggles Of Touring Post-Pandemic

MASTODON’s Bill Kelliher recently discussed the harsh economic realities of touring, emphasizing the increased costs and logistical challenges artists face post-pandemic. He highlighted how these changes have affected their profitability and how management of merchandise sales further complicates their financial health. Despite the hurdles, Kelliher remains dedicated to the band’s musical output and engaging with fans worldwide.

In a recent interview on “The Break Down With Nath & Johnny,” Bill Kelliher from the metal band MASTODON discussed the current touring landscape post-pandemic. He pointed out the added financial burdens of touring today, influenced by skyrocketing costs of travel-related expenses like gas and accommodations, and how these elements complicate their ability to tour profitably. Kelliher explained that during COVID, many touring personnel shifted careers, adding to the challenges bands now face. Kelliher reflected on the complexities of European touring, where operational costs soar due to more expensive fuel and smaller transport options, complicating logistics. He lamented that the band’s extravagant production means they cannot just break even while playing shows, stating, “the band is the last person to get paid.” Kelliher elaborated on how this impacts their ability to perform, notably missing out on opportunities in Europe to avoid financial loss. Japan also posed challenges for touring, as Kelliher noted the difficulties in logistics and an evolving concert scene as venues reopened post-pandemic. He shared the nuances of performing in detail-oriented Japan and conveyed heartbreak over missed opportunities to play more dates due to logistical issues. Despite some positives in audience engagement, he reiterated that the industry is recovering from significant setbacks. Kelliher also highlighted the struggles artists face with merchandise sales, revealing how venues often take substantial cuts from merch profits. He recounted the standard practice of venues imposing fees and restricting control over their merchandise sales, contributing to the overall financial strain on bands. Kelliher expressed frustration over the imbalance that leaves artists with little compensation. MASTODON has created rich musical offerings, including their concept album “Leviathan,” which was celebrated on their recent tour with LAMB OF GOD. Their latest work, “Hushed And Grim,” showcases a wider musical spectrum and has received critical acclaim. The band also recently collaborated on a new single, demonstrating their ongoing creativity and adaptability despite the challenging industry landscape.

Bill Kelliher’s insights serve as a poignant reminder of the significant hardships encountered by artists in the wake of the COVID-19 pandemic. The music industry has transformed drastically, with many professionals seeking alternative employment during the shutdown. Returning to touring presents new challenges with elevated costs and logistical hurdles, revealing an industry struggling to recalibrate post-pandemic. The balance of power has shifted, and artists now find themselves navigating a labyrinth of financial obstacles just to share their art. Moreover, touring has a rigorous economics dynamic as bands negotiate the eternal struggle of surviving amidst the pressures of operational costs. The shift in the industry also underscores a critical conversation about the value and rights of artists in merchandise sales, and how venues often take undue advantage of them in profit-sharing deals.

In essence, Bill Kelliher’s candid commentary sheds light on the stark realities of touring within the post-pandemic music industry. With financial pressures mounting, artists are grappling with inflated costs, logistical complications, and decreasing returns on their live performances. As they continue to create and perform, the challenges they face raise crucial questions about sustainability and fairness in the live music space, making audiences more aware of the hard work and sacrifices behind the performance.

Original Source: blabbermouth.net

About Sofia Martinez

Sofia Martinez has made a name for herself in journalism over the last 9 years, focusing on environmental and social justice reporting. Educated at the University of Los Angeles, she combines her passion for the planet with her commitment to accurate reporting. Sofia has traveled extensively to cover major environmental stories and has worked for various prestigious publications, where she has become known for her thorough research and captivating storytelling. Her work emphasizes the importance of community action and policy change in addressing pressing global issues.

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